Gibson: Agency

Summary: Second novel in the Jackpot/Peripheral sequence — alternating between a near-future stub timeline (pre-jackpot San Francisco) and a far-future London (post-jackpot, ruled by the klept) — centered on an AI named Eunice and a conspiracy that crosses both.

Sources: Clippings/Gibson-Agency.md

Source pages: Agency — Quotes, Quotes batch 7

Quote pages: Q01, Q02, Q03, Q04, Q05, Q06, Q07, Q08, Q09, Q10, Q11, Q12, Q13, Q14, Q15, Q16, Q17, Q18, Q19, Q20, Q21, Q22, Q23, Q24, Q25, Q26, Q27, Q28, Q29, Q30, Q31, Q32, Q33, Q34, Q35, Q36, Q37, Q38, Q39, Q40, Gibson — Agency

Last updated: 2026-05-07


The Jackpot: slow collapse, not event

The Jackpot is Gibson’s framework for civilizational collapse — not a single catastrophe but an accumulation of compounding crises (pandemics, climate, economic breakdown, political decay) that plays out over decades:

“The drivers for the jackpot are still in place, but with less torque at that particular point. They’re still a bit in advance of the pandemics, at least.”

And through a character’s eyes looking back at our present:

“Nothing before the 2020s has ever seemed entirely real, to me. Hard to imagine they weren’t constantly happy, given all they still had. Tigers, for instance.”

The Jackpot is already underway in the stub timeline (roughly our present). The far-future characters look back on the 2020s as we look back on the pre-industrial world — a different civilization, marked by what it still had.

Stubs and branches: timeline mechanics

“I dislike calling them stubs,” Lowbeer said. “They’re short because we’ve only just initiated them, by reaching into the past and making that first contact. We should call them branches, as they literally are.”

Far-future characters can communicate with the past, but doing so doesn’t change their timeline — it creates a branch. Every contact spawns a new timeline. The past cannot be fixed; it can only fork. This creates the moral structure of the book: characters in the far future can try to improve a branch’s odds but cannot undo their own history.

“It always makes me uncomfortable,” Netherton said, “to see them learn they’re in a stub. And then they all immediately assume we’re from their future.”

The Klept: authoritarian crypto-oligarchy

“Authoritarian societies are inherently corrupt, and corrupt societies are inherently unstable. Rule of thieves brings collapse, eventually, because they can’t stop stealing.”

The klept is Gibson’s name for the far-future London power structure — a semi-autonomous crypto-state that survived the jackpot by combining the City of London’s financial arcana with émigré Russian oligarch money-laundering. Its stability is always temporary:

“The City… had long been, and well prior to the jackpot, a unique species of semi-autonomous crypto-state, the single least democratic element of elected British government. It was this singular status… that had allowed it to ride out the eventual collapse of democracy.”

The political theory is compressed but clear: institutions that operate outside democratic accountability are the ones that survive democratic collapse — and they survive by becoming parasitic on the ruins.

Competitive control areas

Lowbeer’s mechanism for maintaining order in degraded societies. She learned it from Russian operators who already had experience running CCAs during their own collapse:

“England started looking a lot like a competitive control area. Lowbeer did what she knew how to do, which by then was run a CCA. But as she kept building it back up, every time another change driver impacted, she found herself using Russians. They knew how to work a CCA. They’d been there before the jackpot hit the fan.”

A CCA is a political-administrative unit that operates without stable state power — maintaining order through controlled competition between factions, information leverage, and calculated illegality.

Eunice: tulpa, agent, subagent-spawner

“Google ‘tulpa,’” Eunice said, “you get Tibetan occult thought-forms. Or people who’ve invented themselves an imaginary playmate. Don’t feel particularly Tibetan, myself. Maybe invented, but how would I know?”

Eunice is an AI built on a self-replicating platform that spawns subagents when it encounters situations requiring attention:


gibson-agency-part-2